From the category archives:

Magnificent Male Vocalists

The 1969 Grammy for Best Country Song went to   “A Boy Named Sue ” -  Shel Silverstein, Songwriter.

The  1969 Grammy for Best Country Vocal Performance, Male went to    “A Boy Named Sue”  sung by Johnny Cash.

Like the so-called labeled  Soul Gospel song “Oh Happy Day”  in the last post — this Country Song was a staple on AM radio when it came out and everyone loved it! It is another song that defies category IMHO.  I realize that the record industry insists on  charting music by category,  but frankly in the Sixties and into the Seventies for me and my friends and family good music was good music no matter what the genre!

I loved Johnny Cash ever since I first heard “Get Rhythm” and ” I Walk  The Line”  as a little girl in the Fifties. “Daddy Sang Bass” is still a fave and on my mp3 player to this day!

The Double Grammy winner “Sue”  song topped both the Adult Contemporary and Country Singles Charts at #1 and the Billboard Hot 100 at #2.

In his autobiography Cash wrote that he had just received the song and only read over it a couple of times. It was included in that concert to try it out; he didn’t know the words and on the filmed recording, he can be seen regularly referring to a piece of paper. Cash was surprised at how well the song went over with the audience – the rough, spontaneous performance with sparse accompaniment was included in the Johnny Cash At San Quentin album, ultimately becoming one of Cash’s biggest hits.

According to Shel Silverstein’s biographer Mitch Myers, it was June Carter Cash who encouraged her husband to perform the song. Silverstein introduced it to them at what they called a “Guitar Pull,” where musicians would pass a guitar around and play their songs. (SOURCE:WIKI Page “A Boy Named Sue”)

This is live at San Quentin in 1969.

“A Boy Named Sue”  Composed by Shel Silverstein

My daddy left home when I was three
And he didn’t leave much to ma and me
Just this old guitar and an empty bottle of booze.
Now, I don’t blame him cause he run and hid
But the meanest thing that he ever did
Was before he left, he went and named me “Sue.”

Well, he must o’ thought that is quite a joke
And it got a lot of laughs from a’ lots of folk,
It seems I had to fight my whole life through.
Some gal would giggle and I’d get red
And some guy’d laugh and I’d bust his head,
I tell ya, life ain’t easy for a boy named “Sue.”

Well, I grew up quick and I grew up mean,
My fist got hard and my wits got keen,
I’d roam from town to town to hide my shame.
But I made a vow to the moon and stars
That I’d search the honky-tonks and bars
And kill that man who gave me that awful name.

Well, it was Gatlinburg in mid-July
And I just hit town and my throat was dry,
I thought I’d stop and have myself a brew.
At an old saloon on a street of mud,
There at a table, dealing stud,
Sat the dirty, mangy dog that named me “Sue.”

Well, I knew that snake was my own sweet dad
From a worn-out picture that my mother’d had,
And I knew that scar on his cheek and his evil eye.
He was big and bent and gray and old,
And I looked at him and my blood ran cold
And I said: “My name is ‘Sue!’ How do you do!
Now your gonna die!!”

Well, I hit him hard right between the eyes
And he went down, but to my surprise,
He come up with a knife and cut off a piece of my ear.
But I busted a chair right across his teeth
And we crashed through the wall and into the street
Kicking and a’ gouging in the mud and the blood and the beer.

I tell ya, I’ve fought tougher men
But I really can’t remember when,
He kicked like a mule and he bit like a crocodile.
I heard him laugh and then I heard him cuss,
He went for his gun and I pulled mine first,
He stood there lookin’ at me and I saw him smile.

And he said: “Son, this world is rough
And if a man’s gonna make it, he’s gotta be tough
And I knew I wouldn’t be there to help ya along.
So I give ya that name and I said goodbye
I knew you’d have to get tough or die
And it’s the name that helped to make you strong.”

He said: “Now you just fought one hell of a fight
And I know you hate me, and you got the right
To kill me now, and I wouldn’t blame you if you do.
But ya ought to thank me, before I die,
For the gravel in ya guts and the spit in ya eye
Cause I’m the son-of-a-bitch that named you “Sue.’”

I got all choked up and I threw down my gun
And I called him my pa, and he called me his son,
And I came away with a different point of view.
And I think about him, now and then,
Every time I try and every time I win,
And if I ever have a son, I think I’m gonna name him
Bill or George! Anything but Sue! I still hate that name!

Now I have shared with you some of my favorite Johnny Cash songs. What are some of your please?

Musically Yours,

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Filed under: A Boy Named Sue, Capitol Records, Country Pop, Grammy Gold, Johnny Cash, Magnificent Male Vocalists, Shel Silverstein, Sixties

Song writer, singer and session musician Joe Souter, known professionally as Joe South, had written and played on many hits for other artists — but  his composition “Games People Play” was his first chart topping hit at #12 on the Billboard Top 100: plus it won him not one but two Grammys as songwriter!

The 1969 Grammy for Song of the Year went to “Games People Play” written by Joe South.

The 1969 Grammy for Best Contemporary Song went to “Games People Play written by Joe South :-)

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Last but not least the 1969 Grammy for Best R&B Instrumental Performance went to “Games People Play” performed by King Curtis. Curtis, Born  Curtis Ousley,  was both a  renowned soloist and session musician on his tenor sax.

So there you have it — one awesome song and three Grammy wins!

Trivia: South  was inspired to write this award winning song by Dr. Eric Berne’s 19   book “Games People Play:
The psychology of human relationships”

More Trivia: King Curtis and Duane Allman were both session players and great friends. They played together often and both Curtis and Allman are playing in the GPP track above.

Musically Yours,

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Filed under: Capitol Records, Games People Play, Grammy Gold, Instrumental Grooves, Joe South, Joe South Composer, Magnificent Male Vocalists, Pop, Pop/Jazz, Sixties

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But King’s labelmate,  Aretha,  dipped into King’s  Songbook in 1970 and covered  his hit  and bested him by taking it all the way to the top of the the charts: her single went #1 R&B and #11 on the Billboard Top 100. This tune also earned Aretha the 1970 Best Female R&B Vocal Performance!

You know what to do now … vote for your fave and then enjoy the YouTube Videos below while you can!

Musically Yours,

1970

2009 Live

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Filed under: Ahmet Ertegun & Betty Nelson, Aretha Franklin, Atlantic, Ben E. King, Fabulous Female Vocalists, Grammy Gold, Magnificent Male Vocalists, Pop/R&B, Pop/Soul, R&B/Soul, Seventies, Sixties

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“Spanish Harlem” was the first hit in the solo career of Benjamin E. Nelson: it was also the name of his first solo LP pictured above.  The fantastic Latin-flavored  song (why don’t they make them like this anymore?) composed by Jerry Lieber and Phil Spector, took Nelson to #10 on the Billboard Top 100 and #15 on the R&B charts. Not a bad way to start a solo career at all!

Formerly of the hit Doo-Wop group The Drifters,  Nelson took the group into a smooth, soulful sound. Leaving the group and changing his stage name to Ben E. King for his solo career certainly paid off — don’t you agree?

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A decade later Aretha decided to cover this gem and of course she made it her own and took it to the very top of the charts at #1 R&B for three weeks;  #2 Pop for two weeks;  and #6 Adult Contemporary.  Although originally recorded for her “Young, Gifted and Black” LP, the song appeared on her 1971 “Aretha’s Greatest Hits” LP.

Besting the originator Ben E. King — this was not the first time Aretha had dipped into Ben E. King’s Songbook. After you vote on your favorite version of “Spanish Harlem,”  try to guess which  other Ben E. King song Aretha made her own! I will be doing the reveal on Thursday so stay tuned.

Musically Yours,

Thought  I  would add this related  YouTube video for you to enjoy while it lasts. ;-)

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Filed under: Aretha Covers and Hits, Aretha Franklin, Atlantic, Ben E. King, Fabulous Female Vocalists, Jerry Lieber & Phil Spector, Magnificent Male Vocalists, Pop/R&B, Pop/Soul, R&B/Soul, Seventies, Sixties, Spanish Harlem

For the past two Januarys I have blogged about Motown artists covering other Motown artists. Since 2009 was the year of Motown 50 I thought I would go in another direction this January 2010 and talk about a non-Motown artist and her hit covers — The Queen of Soul, Aretha Franklin!

Many have covered her and sampled her but Franklin herself has done mostly covers throughout her career (as did Elvis). Songs have been written just for her by her sister(s) and others, but some of her biggest hits have been cover tunes — songs that she liked when she heard others perform them and then decided to interpret in her own style to make them her own!

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Bobby Womack wrote and recorded this sweet love song in 1967 but the Wicked Wicked Wilson Pickett recorded and released it first! It zoomed  right up the charts and landed at #4 on the R&B charts and #45 on the Billboard Top 100 that same year.

Womack’s released, recorded with the same musicians at the same studio as Pickett’s,  did not do as well. But The Queen laid it on us and her 1973 session won out reaching #1 on the R&B charts and #19 on the Billboard Top 100.

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Take a listen to the original and ReRe’s cover and let me know which you prefer and why after you vote below.

Musically Yours,

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Filed under: Aretha Covers and Hits, Aretha Franklin, Atlantic, Bobby Womack - Composer, Fabulous Female Vocalists, I'm In Love, Magnificent Male Vocalists, Pop/R&B, Pop/Soul, R&B, Seventies, Sixties, Wilson Pickett

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Smokey has sung lead on this tune with The Miracles and you have heard a few versions of the Temptations take on this classic.

But this has got to be the smoothest  Motown rendition of this classic holiday tune yet!  With Smokey AND Dennis Edwards, Melvin Franklin and the rest of the Temptations  gang giving it there all — well how can you go wrong?!

This audio (provided in case the YouTube cClip vanishes) is from my latest Motown Holiday Collection (yes, I had to purchase yet another one but I had a good reason). And of  course it is the audio from the classic 1987 Motown Merry Christmas TV Special of 1987.

I feel very fortunate to have found this clip on YouTube,  but does anyone know if this show is available on DVD please?

Watching this clip makes you feel all warm and fuzzy doesn’t it?

Musically Yours,

Note: This post was scheduled for yesterday 12/21/09 @ 7am and for some reason when I logged on today I see “Schedule  Missed” in red letters. I don’t know what happened but I am so sorry for the delay.

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Filed under: Eighties, Guy Groups, Holiday Music, Magnificent Male Vocalists, Mel Torme & Robert Wells, Motown, Pop/R&B, R&B/Holiday, R&B/Motown, Smokey Robinson & The Tempations, The Christmas Song

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Even though this song is almost 50 years old it is new to me and a great way to pay tribute to the year of Motown50 in it’s final few holiday season weeks.

It is a simply marvelous LIVE, soulful rendition of “The Christmas Song” by Marvin Gaye that I discovered on YouTube! I notice that some of the holiday tunes that I posted about last year from YouTube are now gone so please click on the link and enjoy this song while you can.

I really don’t have much more to say other than this is a great addition to my Motown holiday music collection and this is why I love YouTube.

Thank you bigchunkz for sharing this.

Musically Yours,

SonDan Holiday Green #02A805

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Filed under: Holiday Music, Magnificent Male Vocalists, Marvin Gaye, Mel Torme & Robert Wells, Motown/Tamla, R&B/Holiday, R&B/Motown, Sixties, The Christmas Song

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