From the category archives:

Live Performances

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#5 R&B, #28 Pop

Earlier this summer Philadephia celebrated the 50th anniversary of the sixties dance craze  “The Twist.”  The Twist  was a worldwide phenomenon that was danced by young, old and in between!

With that in mind there is a new month on the calendar and a new musical post theme here at OSML  …  “Dance To The Music”  with the operative word being DANCE!

There were so many dances in the sixties and very early seventies other than the Twist, and I am not sure which came first, the dances or the songs (LOL). But we shall take a look at some of these awesome hit tunes honoring the dances of the boomer era during the month of September here at OSML.

I shall begin with another Stax artist that was beloved by one and all —   Mr. Rufus Thomas.

Thomas began creating his own dances and songs in 1963 with “Walking The Dog.” He also made up dances and songs for: “The Breakdown”,  “The Push & Pull”, “The Funky Penguin” and my favorite to watch  performed “The Funky Chicken”.

I bet Mr. Thomas  was quite a hoot in person and that his daughter Carla has super fond memories of this composer , musician, and performer that she was lucky enough to call Dad.

Prior to being the Crown Prince of Rock & Soul,  Thomas was a successful Memphis DJ at one of the few black-owned stations of the era.

Here is a partial video of Thomas performing “Do The Funky Chicken” on a TV program. It is followed by a complete live performance of the song. Enjoy dancing to the music.

Musically Yours,

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Filed under: Dance to the Music, Do The Funky Chicken, Live Performances, Magnificent Male Vocalists, Pop/R&B, R&B/Soul, Rufus Thomas, Rufus Thomas - Composer, Seventies, Stax of Soul, Stax/Volt

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#4 R&B , #35 Pop

Otis created the song “Respect” as he recorded it for what was his third LP “Otis Blue/Otis Redding Sings Soul”. This was just one of the many hits on this classic 1965 set that went #1 R&B the year of release and reached #75 on the Billboard Top 200 in 1966.

This month is all about Stax — Great Wax from Stax! But Stax music, like Motown music, became a part of the music culture and I would be remiss if I did not mention, as you all know, that Aretha went  on to cover this song and it would become one of her trademark cuts.

#1 R&B, #1 Pop

Turnabout is fair play and the smash “Otis Blue” set includes the cover Otis made of The Rolling Stones’  “Satisfaction,” which became one of Redding’s trademark performances as well. Check out this awesome live performance on the OSML sister blog EOINA.

You may read a bit more about Aretha’s cover version in this earlier post here at OSML and listen to Aretha”s Studio version.

Now which performer do you think  rocked “Respect”  the best in the Sixties? Share your thoughts  in a comment below.

Musically Yours,

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Filed under: Aretha Covers and Hits, Aretha Franklin, Atlantic, Deep Soul Music, Fabulous Female Vocalists, Live Performances, Magnificent Male Vocalists, Otis Redding, Otis Redding - Composer, Pop/Soul, R&B, R&B/Soul, Respect, Sixties, Stax of Soul, Stax/Volt

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“Crying in the Chapel” was a song written by Artie Glenn for his son Darrell to sing. Darrell recorded it, while still in high school, in 1953 along with Artie’s band the Rhythm Riders. It became a local hit and publishers got hold of it and it went nationwide. June Valli had the biggest hit, reaching #4 on Billboard after charting for 17 weeks beginning August 1st, 1953. That same year (omitted sic) the Orioles recorded it and it became a major success. The Orioles version reached #11 [Pop and #1 R&B]. (SOURCE)

Please understand that even though Elvis Presley recorded a cover of this song in 1960 and its 1965 release became a hit for him — it is just that — a cover hit. Elvis is NOT the originator as so many people in the blogosphere seem to think. And, IMHO, he certainly does not have the definitive version. To me it is The Orioles version that I grew up loving and hearing my Dad sing. But then again I have not yet heard Darrell Glenn’s original version. The Orioles formed 1948 in Baltimore, MD and disbanded in 1954, the year I was born. So they were a bit before my time. But this was one of my Dad’s favorite groups, so I grew up listening to their music from the day I was born — and specifically “Crying in the Chapel” which was a favorite. I so love hearing male vocals harmonizing. The Orioles, consisting of Sonny Til, Tommy Gaither, George Nelson, Johnny Reed and Alexander Sharp, became the first Black group to have what was called a “crossover” hit. The song “It’s Too Soon to Know” was #1 on the R&B charts but also CROSSED OVER to #13 on the pop charts. Another “first” for the group is they started a trend of vocal groups named after birds. ;-) You know — there were The Penguins, The Falcons, The Flamingos, The Larks, The Ravens, etc. Originally the Vibranaires, The Orioles re-named themselves after the Maryland State bird. Continuing to have many hits on Natural records the group peaked in 1949 until the following events as explained by Stephen Thomas Erlewine of All Music:

“In 1950, Gaither, Nelson, and Reed suffered an automobile accident that killed Gaither and severely injured the other two members; Nelson quit the group later in the year. As Reed recovered from the accident, the group found replacements for Gaither and Nelson, finally settling on guitarist Ralph Williams and vocalist Gregory Carroll. The new lineup of the band had its first hit in 1952, when “Baby Please Don’t Go” reached number eight on the R&B charts. The following year, the group had their biggest hit with “Crying in the Chapel.” Released in the summer of 1953, “Crying in the Chapel” spent five weeks on the R&B charts and reached number 11 on the pop charts, eventually going gold.”

So as you see this big hit was actually by the second incarnation of the group. There is so much more to The Orioles Story. They were inducted into the Rock and Roll Hall of Fame in 1995. In 1998 they were inducted into the Vocal Group Hall of Fame. Singers.Com also has a nice synopsis of the group.

With Fathers Day coming in two days, I would like to say thank you to my Father for giving me the love of music! It is one of the most special things that my Dad gave me. He told his wife before he passed that he was afraid his children would forget him … but I think about him every single day, especially when I listen to music and that happens to be most of the time.

I love you Daddy. This one’s for you … from one of those infamous PBS specials held in the very recent past.

Thanks for visiting so we can share the music.

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Filed under: Artie Glenn, Crying in the Chapel, Doo-Wop Dynamite, Fifties, Guy Groups, Live Performances, Natural, R&B/Doo-Wop, The Orioles

Bo Diddley Video Tribute

June 7, 2008

Bo Diddley sings “Hey Bo Diddley” on the Ed Sullivan Show (1955) Now I don’t know if this anecdote is true but this was written on the YouTube page where I found this video” “Ed Sullivan said that I was one of the first colored boys to ever double-cross him. Said that I wouldn’t last [...]

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Let It Be Me as Performed by The Everly Brothers (1960) and Betty Everett & Jerry Butler (1964)

April 25, 2008

[Audio clip: view full post to listen] The Everly Brothers – Let It Be Me (1960) “Let It Be Me” is a reworking of a French song recorded in 1955 by Gilbert Becaud called “Je T’Appartiens.” The first English version of the song was recorded in 1957 by an actress named Jill Corey with limited [...]

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Mercy, Mercy, Mercy! as Performed live by The Cannonball Adderly Quintet (1966)

February 22, 2008

[audio http://www.hotlinkfiles.com/files/999163_i6hth/allAdderly-Mercy_Mercy_Mercy.mp3] Mercy, Mercy, Mercy! – Cannonball Adderley Quintet (1966) This live recorded set, released in 1966 as “Mercy, Mercy, Mercy! Live at ‘The Club’” by Cannonball Adderley Quintet, became the 1967 Grammy winner for Best Instrumental Jazz Performance, Small Group or Soloist with Small Group. The group musicians were: Cannonball Adderley – Alto saxophone, [...]

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The In Crowd as Performed by The Ramsey Lewis Trio (1965)

February 20, 2008

[audio http://www.hotlinkfiles.com/files/999164_jahum/15.RamseyLewis-TheInCrowd.mp3] The Ramsey Lewis Trio – The In Crowd (1965) Written by Billy Page, this instrumental cover of Dobie Gray’s original, actually out-charted it by reaching #5 in the U.S. The original only went to #13. In fact The Ramsey Lewis Trio’s cover version won Ramsey his first of three Grammys — taking home [...]

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