From the category archives:

Live Performances

[audio http://www.hotlinkfiles.com/files/1449722_iekly/TheOrioles-CryingInTheChapel.mp3] Crying In The Chapel – The Orioles (1953)

“Crying in the Chapel” was a song written by Artie Glenn for his son Darrell to sing. Darrell recorded it, while still in high school, in 1953 along with Artie’s band the Rhythm Riders. It became a local hit and publishers got hold of it and it went nationwide. June Valli had the biggest hit, reaching #4 on Billboard after charting for 17 weeks beginning August 1st, 1953. That same year (omitted sic) the Orioles recorded it and it became a major success. The Orioles version reached #11 [Pop and #1 R&B]. (SOURCE)

Please understand that even though Elvis Presley recorded a cover of this song in 1960 and its 1965 release became a hit for him — it is just that — a cover hit. Elvis is NOT the originator as so many people in the blogosphere seem to think. And, IMHO, he certainly does not have the definitive version. To me it is The Orioles version that I grew up loving and hearing my Dad sing. But then again I have not yet heard Darrell Glenn’s original version.

The Orioles formed 1948 in Baltimore, MD and disbanded in 1954, the year I was born. So they were a bit before my time. But this was one of my Dad’s favorite groups, so I grew up listening to their music from the day I was born — and specifically “Crying in the Chapel” which was a favorite. I so love hearing male vocals harmonizing.

The Orioles, consisting of Sonny Til, Tommy Gaither, George Nelson, Johnny Reed and Alexander Sharp, became the first Black group to have what was called a “crossover” hit. The song “It’s Too Soon to Know” was #1 on the R&B charts but also CROSSED OVER to #13 on the pop charts.

Another “first” for the group is they started a trend of vocal groups named after birds. ;-) You know — there were The Penguins, The Falcons, The Flamingos, The Larks, The Ravens, etc. Originally the Vibranaires, The Orioles re-named themselves after the Maryland State bird.

Continuing to have many hits on Natural records the group peaked in 1949 until the following events as explained by Stephen Thomas Erlewine of All Music:

“In 1950, Gaither, Nelson, and Reed suffered an automobile accident that killed Gaither and severely injured the other two members; Nelson quit the group later in the year. As Reed recovered from the accident, the group found replacements for Gaither and Nelson, finally settling on guitarist Ralph Williams and vocalist Gregory Carroll. The new lineup of the band had its first hit in 1952, when “Baby Please Don’t Go” reached number eight on the R&B charts. The following year, the group had their biggest hit with “Crying in the Chapel.” Released in the summer of 1953, “Crying in the Chapel” spent five weeks on the R&B charts and reached number 11 on the pop charts, eventually going gold.”

So as you see this big hit was actually by the second incarnation of the group. There is so much more to The Orioles Story. They were inducted into the Rock and Roll Hall of Fame in 1995. In 1998 they were inducted into the Vocal Group Hall of Fame. Singers.Com also has a nice synopsis of the group.

With Fathers Day coming in two days, I would like to say thank you to my Father for giving me the love of music! It is one of the most special things that my Dad gave me. He told his wife before he passed that he was afraid his children would forget him … but I think about him every single day, especially when I listen to music and that happens to be most of the time.

I love you Daddy. This one’s for you … from one of those infamous PBS specials held in the very recent past.

Thanks for visiting so we can share the music.

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Filed under: Artie Glenn, Crying in the Chapel, Fifties, Guy Groups, Live Performances, Natural, R&B/Doo-Wop, The Orioles

Bo Diddley sings “Hey Bo Diddley” on the Ed Sullivan Show (1955)

Now I don’t know if this anecdote is true but this was written on the YouTube page where I found this video”

“Ed Sullivan said that I was one of the first colored boys to ever double-cross him. Said that I wouldn’t last six months”. The show had requested that he sing Tennessee Ernie Ford’s hit “Sixteen Tons”, but, when he appeared on stage, he sang “Bo Diddley” instead. This substitution resulted in his being banned from further appearances.”

Wouldn’t surprise me if it was true because the story of Sullivan banning The Doors from the show for singing “Light My Fire” has been proven and verified. Seems to be a Sullivan pattern.

Bo Diddley performs “Road Runner” (1960)

Check out the integrated band of male, female, black and white. Sly & The Family Stone (and subsequently Prince & The Revolution) claimed to be the first to have integrated bands but Bo beat them all to the punch with a female guitarist! Way to go Bo!

Obituary

3 june 2008
MIAMI (Reuters) – Rock ‘n’ roll pioneer Bo Diddley, who banged out hit songs powered by the relentless “Bo Diddley beat” that influenced rockers from Buddy Holly to U2, died on Monday at the age of 79.

Diddley died of heart failure at his home in Archer, Florida, his management agency, Talent Consultants International, said in a statement.

“One of the founding fathers of rock ‘n’ roll has left the building he helped construct,” the statement said.

Diddley suffered a stroke during a concert in Iowa in May 2007 and was hospitalized in Omaha, Nebraska. In August 2007 he had a heart attack in Florida.

Garry Mitchell, a grandson of Diddley and one of more than 35 family members at the musician’s home when he died at about 1:45 a.m. EDT (0545 GMT), said his death was not unexpected.

“There was a gospel song that was sang and he said ‘wow’ with a thumbs up,” Mitchell told Reuters, when asked to describe the scene at Diddley’s deathbed.

“The song was ‘Walk Around Heaven’ and in his last words he stated that he was going to heaven.”

Bo at his best in concert!

Before Prince there was Hendrix and Clapton — but first came Bo and his square guitar.

Rest in peace Ellas “Bo Diddley” McDaniels (Born Otha Ellas Bates but was adopted by his mother’s cousin Gussie McDaniel and a man named Bates) and thank you for your musical contributions to our world.

The New York Times article here is a good read for those of you wanting to know more about this legend.

Thanks for stopping by.

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Filed under: Bo Diddley, Bo Diddley Composer, Fifties, Hey Bo Diddley, Live Performances, Road Runner, Rock and Roll, Seventies, Sixties

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The Everly Brothers – Let It Be Me (1960)

“Let It Be Me” is a reworking of a French song recorded in 1955 by Gilbert Becaud called “Je T’Appartiens.”
The first English version of the song was recorded in 1957 by an actress named Jill Corey with limited success.

But The Everly Brothers released their remake as a single and it zoomed to #7 on the US Pop Singles Chart and #13 on the UK charts. It also appeared on the Cadence label LP “The Fabulous Style of the Everly Brothers” that went to #23 on the Pop LP Charts in 1960.

The Everlys performed together as a group from 1954 to 1973, setting an example for all country/pop/rockers to follow. And their harmonies were flawlessly beautiful and unique.

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Betty Everett & Jerry Butler – Let It Be Me (1964)

This next extraordinary cover version, like the Everlys, also became a top ten Hot 100 hit. But it also bested the Everly Brothers version by also going to #1on Billboard’s R&B chart! I do believe that this is the definitive version of song, that has been covered countless times in every decade since the Sixties to date, by solo artists, other duos and larger groups as well. (Personally I am also partial the The Sylvers version and will share it here under the appropriate theme and time in the future.) Just goes to show you that a classic song is what all artists want to interpret.

Betty Everett sang gospel growing up in Mississippi and then began recording secular music for Cobra in 1958 with no success . But then when she joined Chicago’s Vee-Jay Records the hits came. She first recorded “You’re No Good”. Next the Shoop-Shoop Song zoomed to #6 in 1964 and then this Duet with Jerry Butler zoomed to #5.

Of course Jerry Butler and his childhood friend Curtis Mayfield also grew up singing gospel music, then secular music together in the Roosters, which then became Kerry Butler & the Impressions. Eventually Mr. Butler went on to pusure a successful solo career after leaving the Impressions, as well as a string of hit duets and last but not least a venture into Chicago politics. Mr. Butler has served as the Cook County Illinois Commissioner and then became a City Alderman.

Jerry Butler still performs today, as seen in this August 2001 PBS Special “Doo Wop 51 Live in Pittsburgh”. This was Betty Everett’s last public appearance; she died at her Wisconsin home in August 2001.

Let It Be Me Composed By Gilbert Bécaud, Mann Curtis, Pierre Delanoé

God bless the day I found you
I want to stay around you
And so I beg you
Let it be me

Don’t take this heaven from one
If you must cling to someone
Now and forever
Let it be me

Each time we meet love,
I find complete love
Without your sweet love
Tell me, what would life be?

So never leave me lonely
Tell me you love me only
And that you’ll always
Let it be me

Beautiful sweet lyrics for a beautiful sweet song. Hope you enjoyed the music.

Thanks for stopping by.

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Filed under: Betty Everett & Jerry Butler, Cadence, Dynamic Duos (Duets), Gilbert Bécaud/Mann Curtis/Pierre Delanoë, Let It Be Me, Live Performances, Pop/R&B, Sixties, The Everly Brothers, Vee-Jay

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[audio http://www.hotlinkfiles.com/files/999163_i6hth/allAdderly-Mercy_Mercy_Mercy.mp3] Mercy, Mercy, Mercy! – Cannonball Adderley Quintet (1966)

This live recorded set, released in 1966 as “Mercy, Mercy, Mercy! Live at ‘The Club’” by Cannonball Adderley Quintet, became the 1967 Grammy winner for Best Instrumental Jazz Performance, Small Group or Soloist with Small Group.

The group musicians were:

Cannonball Adderley – Alto saxophone, leader
Nat Adderley – Cornet
Joe Zawinul – Piano, electric piano
Victor Gaskin – Bass
Roy McCurdy – Drums

The song “Mercy, Mercy, Mercy! became a hit reaching #11 on the Billboard charts.

Written by Joe Zawinful, this song has been covered often — but with the following lyrics. Thought I would reprint them here just in case you wanted to sing along: I always do when I hear this original instrumental version. :-)

Mercy, Mercy, Mercy
(Williams, Watson and Zawinul)

My baby she may not a-look
Like one of those bunnies out of a Playboy Club
But she got somethin’ much greater than gold
Crazy ’bout that girl ’cause she got so much soul

I said she got the kind of lovin’
Kissin’ and a-huggin’
Sure is mellow
Glad that I’m her fellow and I know
That she knocks me off my feet
Have mercy on me
‘Cause she knocks me off my feet
There is no girl in the whole world
That can love me like you do

My baby when she walks by
All the fellows go, ooooooo, and I know why
It’s simply ’cause that girl she looks so fine
And if she ever leaves me
I would lose my mind

She got the kind of lovin’
Kissin’ and a-huggin’
Sure is mellow
Glad that I’m her fellow and I know
That she knocks me off my feet
Have mercy on me
‘Cause she knocks me off my feet, hey
There is no girl in the whole world
That can love me like you do

Yeah, everybody in the neighborhood
Will testify that my girl she looks so good
And she’s so fine
She’d give eyesight to the blind
And if she ever leaves me I would lose my mind

She got the kind of lovin’
Kissin’ and a-huggin’
Sure is mellow
Glad that I’m her fellow and I know
That she knocks me off my feet
Have mercy on me
‘Cause she knocks me off my feet
There is no girl in the whole world
That can love me like you do

Baby, yeah, you got that soulful feel
Yeah, it’s all right
Mercy, mercy

Julian Edwin “Cannonball” Adderley (September 15, 1928 ? August 8, 1975), was a jazz alto saxophonist of the small combo era of the 1950s and 1960s. Originally from Tampa, Florida, he moved to New York in the mid 1950’s.

The nickname “Cannonball” was a childhood nickname for the portly saxophonist, a corruption of “cannibal”. An articulate speaker with an easy manner, Cannonball educated, amused, and informed his audiences in clubs and on television about the art and moods of jazz (he was a music teacher before beginning his jazz career). (Source)

From Florida music teacher — to a member of the Miles Davis Sextet — to a band leader in his own right — Adderly had an impressive music career and left a lasting musical legacy. You can read more about him at the Source link above. And a great fan site can be found here.

In addition, more details about the making of “Mercy, Mercy, Mercy! At the Club” release can be found here.

I hope you enjoyed your visit. I am glad you stopped by.

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Filed under: EMI, Grammy Gold, Instrumental Grooves, Jazz/Instrumental, Joe Zawinul, Live Performances, Mercy Mercy Mercy!, Sixties, The Cannonball Adderley Quintet

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[audio http://www.hotlinkfiles.com/files/999164_jahum/15.RamseyLewis-TheInCrowd.mp3] The Ramsey Lewis Trio – The In Crowd (1965)

Written by Billy Page, this instrumental cover of Dobie Gray’s original, actually out-charted it by reaching #5 in the U.S. The original only went to #13. In fact The Ramsey Lewis Trio’s cover version won Ramsey his first of three Grammys — taking home the “1965 Best Jazz Performance by a Small Group or Soloist with Small Group” (Phew – what a mouthful!). Also the album of the same name, that contained the song, was the first of five gold records Mr. Lewis earned! This LP was recorded live over three days during a club date at the Bohemian Caverns in Washington, DC.

Ramsey Lewis is still performing his music today. You may check out his official web site for current performance information.

If anything about this song reminds you of the prior post by Young-Holt Unlimited, please don’t think it is your ears deceiving you. The Ramsey Lewis Trio’s original trio members included the founding members of Young-Holt Unlimited! Same musicians — same groovy sound.

In addition to checking out Mr. Lewis’ official web site you may read more about his musical career here.

Thanks for listening to the music. I love it when you stop by to visit. :)

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Filed under: Bands, Billy Page, Cadet, Grammy Gold, Instrumental Grooves, Jazz/Instrumental, Live Performances, Pop/Instrumental, Pop/Jazz, Sixties, The In Crowd, The Ramsey Lewis Trio

Love Hangover

January 18, 2008 · 9 comments

This video is of Diana Ross performing her Grammy nominated hit “Love Hangover” on the “Midnight Special” (loved that show!) on November 26, 1976. The song was #1 on both the Hot 100 and the Dance Club charts in the US and made it to #10 UK.

Written by Pamela Sawyer & Marilyn McLeod the song was an underground smash hit for Sylvester (R.I.P.) Then both Ross and the 5th Dimension did covers. Motown artists were all a bit reluctant about entering the “Disco” arena, but Diana was the first out and a success at it. The very interesting story of her recording the song can be found here.

Not only is Diana a great live performer, but I found this “Muppet Show” performance awesome and wanted to share it. Gosh I miss “The Muppet Show!” The Muppets were surely ahead of their time ‘casue this staging reminds me of a “Cirque du Soleil” performance.

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[audio http://www.hotlinkfiles.com/files/868280_awfqr/D%20Ross%20LoveHangover.mp3] Diana Ross – Love Hangover (Full-Length 7 min 37 sec Studio Version)

Before ending discussion on Ross’ version, I wanted to be sure you heard the original. The edit version was initially released on Diana’s 5th solo LP.

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[audio http://www.hotlinkfiles.com/files/869695_4jojt/ker_theAllStars-LoveHangover.mp3] Junior Walker & The All Stars – Love Hangover

I don’t know exactly when Junior Walker & The All Stars version of LH was recorded, but it appears on one of my treasured, now out of print, vinyl possessions entitled “Motown Superstars Sing Motown Superstars”. Motown released it 1986. Junior Walker did lots of cover tunes while at Motown so assigning him this one is no surprise. It is also no surprise the he rocks it! If you aren’t familiar with this artist you have slept on a great musician. There will surely be more to come on JRATAS on this blog in the future so stay tuned.

Which cover version of “Love Hangover” is your favorite? Let me know by your vote here.

Thanks for reading and listening.

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Filed under: Diana Ross, Disco/Motown, Eighties, Jr Walker & The All Stars, Live Performances, Love Hangover, Motown, Motown Covers Motown, Motown/Soul, Pamela Sawyer & Marilyn McLeod, R&B/Motown, Seventies

I had found the most wonderful YouTube clip, months ago, of Aretha Franklin and Billy Preston singing “Auld Lang Syne” in 1987. When I sat down to link it to this post, I discovered it was no longer on You Tube. I really would like to know why the great posts come and go. But that’s another post for another place and time. Please know that after this discovery, I went back to check my videos and replaced all of the missing ones I came across on this site but one. So if you recently visited and tried to watch a video that was missing, please check back to see it it has been replaced. I will do my best to keep up on this situation in the coming year.

Instead of ReRe and Billy’s version , I offer you the great, late Jimi Hendrix performing his version of “Auld Lang Syne” live on 1/1/1970 at the Filmore East. Enjoy the music and my sincere thanks for stopping by this year. I was a bit scared when I jumped into blogging here at Wordpress this past summer, and had some trying times getting up an running. But once I got going, I found that sharing my love of music is quite rewarding. I hope some of you out there are enjoying the music, as much as I enjoy presenting it here. Please don’t hesitate to comment here to let me know how I’m doing and to offer any requests.

Love and hugs,

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Filed under: Auld Lang Syne, Holiday Music, Instrumental Grooves, Jimi Hendrix, Live Performances, Seventies

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