From the category archives:

Country Pop

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#1 R&B, #11 Pop

If you have been around OSML since the beginning you may remember that  I blogged about this Orioles’ classic cover, “Crying In The Chapel,” back in 2008.  And you may also recall that this song has a very special place in my heart so not only am I blogging about it again but I may do so again in the future.

If you are new here please listen to this beautiful ballad covered by the Baltimore male vocal group, active from 1946-1954,  that were part of the master blueprint for what Doo-Wop & R&B were to become -- The Orioles!

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#4 Pop

June Valli covered the song in 1953 as well and charted quite high. She has an awesome voice IMHO.

This was Valli’s (the one time voice of Chiquita Banana)  biggest hit.

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#4 Country & Western, #6 Pop

And of course here is the  original version by Darrell Glenn that I had not yet heard at the time of my first post, but have since purchased and want to share here for  your listening pleasure. The original charted well both Pop and Country Western in 1953.

Besides Glenn’s original and The Orioles and June Valli Covers ( all three versions hits in 1953),   Rex Allen’s cover charted #8; Ella Fitzgerald’s cover charted #15 and an Art Lund cover charted #23 all in 1953.

Two of my favorite subsequent cover versions are by The Platters and Mahalia Jackson.

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#1 Easy Listening #3 Pop, #1 U.K.

Here is Elvis’ cover version recorded in 1960 for a Gospel LP,  but released as a single in 1965.

Lastly here is a later version of a performance by latter day Orioles performing “CITC” to replace the video that has been removed from the previous post on this topic. Enjoy this  beautiful ballad one more time right after you vote for your favorite.  ;-)

Musically Yours,

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Filed under: Artie Glenn, Country Pop, Country Western, Covers That Hit!, Crying in the Chapel, Darrell Glenn, Doo-Wop Dynamite, Elvis Presley, Fabulous Female Vocalists, Fifties, Guy Groups, Jubilee, June Valli, Magnificent Male Vocalists, Pop, Pop/R&B, R&B/Soul, RCA, Sixties, The Orioles, Valley Records

The 1969 Grammy for Best Country Song went to   “A Boy Named Sue ” -  Shel Silverstein, Songwriter.

The  1969 Grammy for Best Country Vocal Performance, Male went to    “A Boy Named Sue”  sung by Johnny Cash.

Like the so-called labeled  Soul Gospel song “Oh Happy Day”  in the last post — this Country Song was a staple on AM radio when it came out and everyone loved it! It is another song that defies category IMHO.  I realize that the record industry insists on  charting music by category,  but frankly in the Sixties and into the Seventies for me and my friends and family good music was good music no matter what the genre!

I loved Johnny Cash ever since I first heard “Get Rhythm” and ” I Walk  The Line”  as a little girl in the Fifties. “Daddy Sang Bass” is still a fave and on my mp3 player to this day!

The Double Grammy winner “Sue”  song topped both the Adult Contemporary and Country Singles Charts at #1 and the Billboard Hot 100 at #2.

In his autobiography Cash wrote that he had just received the song and only read over it a couple of times. It was included in that concert to try it out; he didn’t know the words and on the filmed recording, he can be seen regularly referring to a piece of paper. Cash was surprised at how well the song went over with the audience – the rough, spontaneous performance with sparse accompaniment was included in the Johnny Cash At San Quentin album, ultimately becoming one of Cash’s biggest hits.

According to Shel Silverstein’s biographer Mitch Myers, it was June Carter Cash who encouraged her husband to perform the song. Silverstein introduced it to them at what they called a “Guitar Pull,” where musicians would pass a guitar around and play their songs. (SOURCE:WIKI Page “A Boy Named Sue”)

This is live at San Quentin in 1969.

“A Boy Named Sue”  Composed by Shel Silverstein

My daddy left home when I was three
And he didn’t leave much to ma and me
Just this old guitar and an empty bottle of booze.
Now, I don’t blame him cause he run and hid
But the meanest thing that he ever did
Was before he left, he went and named me “Sue.”

Well, he must o’ thought that is quite a joke
And it got a lot of laughs from a’ lots of folk,
It seems I had to fight my whole life through.
Some gal would giggle and I’d get red
And some guy’d laugh and I’d bust his head,
I tell ya, life ain’t easy for a boy named “Sue.”

Well, I grew up quick and I grew up mean,
My fist got hard and my wits got keen,
I’d roam from town to town to hide my shame.
But I made a vow to the moon and stars
That I’d search the honky-tonks and bars
And kill that man who gave me that awful name.

Well, it was Gatlinburg in mid-July
And I just hit town and my throat was dry,
I thought I’d stop and have myself a brew.
At an old saloon on a street of mud,
There at a table, dealing stud,
Sat the dirty, mangy dog that named me “Sue.”

Well, I knew that snake was my own sweet dad
From a worn-out picture that my mother’d had,
And I knew that scar on his cheek and his evil eye.
He was big and bent and gray and old,
And I looked at him and my blood ran cold
And I said: “My name is ‘Sue!’ How do you do!
Now your gonna die!!”

Well, I hit him hard right between the eyes
And he went down, but to my surprise,
He come up with a knife and cut off a piece of my ear.
But I busted a chair right across his teeth
And we crashed through the wall and into the street
Kicking and a’ gouging in the mud and the blood and the beer.

I tell ya, I’ve fought tougher men
But I really can’t remember when,
He kicked like a mule and he bit like a crocodile.
I heard him laugh and then I heard him cuss,
He went for his gun and I pulled mine first,
He stood there lookin’ at me and I saw him smile.

And he said: “Son, this world is rough
And if a man’s gonna make it, he’s gotta be tough
And I knew I wouldn’t be there to help ya along.
So I give ya that name and I said goodbye
I knew you’d have to get tough or die
And it’s the name that helped to make you strong.”

He said: “Now you just fought one hell of a fight
And I know you hate me, and you got the right
To kill me now, and I wouldn’t blame you if you do.
But ya ought to thank me, before I die,
For the gravel in ya guts and the spit in ya eye
Cause I’m the son-of-a-bitch that named you “Sue.’”

I got all choked up and I threw down my gun
And I called him my pa, and he called me his son,
And I came away with a different point of view.
And I think about him, now and then,
Every time I try and every time I win,
And if I ever have a son, I think I’m gonna name him
Bill or George! Anything but Sue! I still hate that name!

Now I have shared with you some of my favorite Johnny Cash songs. What are some of your please?

Musically Yours,

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Filed under: A Boy Named Sue, Capitol Records, Country Pop, Grammy Gold, Johnny Cash, Magnificent Male Vocalists, Shel Silverstein, Sixties

Time Out For SRATM

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Smokey Robinson & The Miracles  – Wichita Lineman (1968)

Glen Campell, the “Rhinestone Cowboy,” was one of the greatest Country-Pop Stars of the Sixties and Seventies. He even had his own TV show –  which I was a big fan of.  Every Boomer reading this post remembers his million selling version of the Jimmy Webb penned classic along with the hit follow-up “Galveston” and the hit predecessor “Gentle on My Mind.” Oh and my favorite Campell tune was “By The Time I Get To Phoenix.”: then  when Isaac Hayes covered the song it took on a whole other level of greatness for me.

Obviously Smokey Robinson and The Miracles knew a great song when they heard it.  “Lineman” is one of  some other covers that were on their 1969, #25 (Billboard Top 100) album “Time Out For Smokey Robinson and The Miracles.”A great song stands the test of time,  as both songwriters  Smokey Robinson and Jimmy Webb can attest too.

I think SRATM did a fine job on the cover.  Now here is Glenn’s original.

Glen Campbell Witchita Lineman

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Glenn Campbell – Wichita Lineman (1968), on Capitol Records, sold over two million copies, staying at number one pop for five weeks.

“Wichita Lineman” – Composed by Jimmy Webb.

I am a lineman for the county and I drive the main road
Searchin’ in the sun for another overload
I hear you singin’ in the wire, I can hear you through the whine
And the Wichita Lineman is still on the line

I know I need a small vacation but it don’t look like rain
And if it snows that stretch down south won’t ever stand the strain
And I need you more than want you, and I want you for all time
And the Wichita Lineman is still on the line

And I need you more than want you, and I want you for all time
And the Wichita Lineman is still on the line

”Time Out for Smokey Robinson And The Miracles” is still available as a 2-for import combined with the 1970 follow-up LP “Four In Blue” #3 R&B & #78 Billboard Top 200.

And I almost forgot to announce — November’s Motown Theme is obviously  “Motown Covers Pop!”  It wasn’t something they did often, but it did happen on once in a while. Sometimes they even hit it big,  as you will find out later on this month!

Now I am curious to know which rendition of “Wichita Lineman” floats your boat? ;-)   Please vote below.

Musically yours,

sondanyr2

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Filed under: Capitol Records, Country Pop, Glenn Campbell, Jimmy Webb, Motown Covers Pop, Motown/Tamla, R&B/Motown, Sixties, Smokey Robinson & The Miracles, Wichita Lineman

"Dont Pass Me By" Performed by The Beatles (1968)

February 19, 2009

[Audio clip: view full post to listen] Released November 22, 1968,  The Beatles White Album contained this first song composed by Richard Starkey.  Ringo had co-written a few songs before, but this was his baby and he sings it solo in his own charming yet quirky style.  It’s obvious that Ringo loved Country-Western — isn’t [...]

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"Jingle Bell Rock" – Performed by Bobby Helms (1957)

December 15, 2008

[audio http://boxstr.com/files/4355821_uwbxf/14.%20Bobby%20Helms%20-%20Jingle%20Bell%20Rock.mp3|bg=0x008000|righticon=0xff0000|lefticon=0xff0000] Take a look at this Billboard Chart History of “Jingle Bell Rock.”  It has been in the Top 100 in assorted categories in four different decades and two different centuries!  Guess that’s all I need to say about the longevity of this classic .. eh? 1957 #13 Country Singles 1958 #6 Pop Singles [...]

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"Rudolph the Red-Nosed Reindeer" – Performed by Gene Autry (1949)

December 1, 2008

[audio http://boxstr.com/files/4204570_3rdmv/11.%20Rudolph%2C%20The%20Red-Nosed%20Reindeer.mp3|bg=0x008000|righticon=0xff0000|lefticon=0xff0000] Gene Autry – Rudolph the Red-Nosed Reindeer (Released in 1949. Charted 1957 #70 Pop Singles; 1998 #55 Hot Country Singles & Tracks; & 1999 #24 Adult Contemporary.) This is truly one of my first records and I still have the original scratched up, beaten up 45 rpm heavy duty vinyl version of this [...]

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“Crying Time” – Performed by Ray Charles (1966)

August 20, 2008

[audio http://boxstr.com/files/3225252_6wszw/Ray%20Charles%20-%20%20Crying%20Time.mp3] Ray Charles – Crying Time  [1968] “Crying Time,” was not the only winner of an R&B Grammy award in 1968. The Academy finally got a little more sense and added two more R&B categories — since the one they had was hardly fair with the bevy of talented R&B Vocalists of both genders, [...]

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