From the category archives:

Country Pop

The 1969 Grammy for Best Country Song went to   “A Boy Named Sue ” -  Shel Silverstein, Songwriter.

The  1969 Grammy for Best Country Vocal Performance, Male went to    “A Boy Named Sue”  sung by Johnny Cash.

Like the so-called labeled  Soul Gospel song “Oh Happy Day”  in the last post — this Country Song was a staple on AM radio when it came out and everyone loved it! It is another song that defies category IMHO.  I realize that the record industry insists on  charting music by category,  but frankly in the Sixties and into the Seventies for me and my friends and family good music was good music no matter what the genre!

I loved Johnny Cash ever since I first heard “Get Rhythm” and ” I Walk  The Line”  as a little girl in the Fifties. “Daddy Sang Bass” is still a fave and on my mp3 player to this day!

The Double Grammy winner “Sue”  song topped both the Adult Contemporary and Country Singles Charts at #1 and the Billboard Hot 100 at #2.

In his autobiography Cash wrote that he had just received the song and only read over it a couple of times. It was included in that concert to try it out; he didn’t know the words and on the filmed recording, he can be seen regularly referring to a piece of paper. Cash was surprised at how well the song went over with the audience – the rough, spontaneous performance with sparse accompaniment was included in the Johnny Cash At San Quentin album, ultimately becoming one of Cash’s biggest hits.

According to Shel Silverstein’s biographer Mitch Myers, it was June Carter Cash who encouraged her husband to perform the song. Silverstein introduced it to them at what they called a “Guitar Pull,” where musicians would pass a guitar around and play their songs. (SOURCE:WIKI Page “A Boy Named Sue”)

This is live at San Quentin in 1969.

“A Boy Named Sue”  Composed by Shel Silverstein

My daddy left home when I was three
And he didn’t leave much to ma and me
Just this old guitar and an empty bottle of booze.
Now, I don’t blame him cause he run and hid
But the meanest thing that he ever did
Was before he left, he went and named me “Sue.”

Well, he must o’ thought that is quite a joke
And it got a lot of laughs from a’ lots of folk,
It seems I had to fight my whole life through.
Some gal would giggle and I’d get red
And some guy’d laugh and I’d bust his head,
I tell ya, life ain’t easy for a boy named “Sue.”

Well, I grew up quick and I grew up mean,
My fist got hard and my wits got keen,
I’d roam from town to town to hide my shame.
But I made a vow to the moon and stars
That I’d search the honky-tonks and bars
And kill that man who gave me that awful name.

Well, it was Gatlinburg in mid-July
And I just hit town and my throat was dry,
I thought I’d stop and have myself a brew.
At an old saloon on a street of mud,
There at a table, dealing stud,
Sat the dirty, mangy dog that named me “Sue.”

Well, I knew that snake was my own sweet dad
From a worn-out picture that my mother’d had,
And I knew that scar on his cheek and his evil eye.
He was big and bent and gray and old,
And I looked at him and my blood ran cold
And I said: “My name is ‘Sue!’ How do you do!
Now your gonna die!!”

Well, I hit him hard right between the eyes
And he went down, but to my surprise,
He come up with a knife and cut off a piece of my ear.
But I busted a chair right across his teeth
And we crashed through the wall and into the street
Kicking and a’ gouging in the mud and the blood and the beer.

I tell ya, I’ve fought tougher men
But I really can’t remember when,
He kicked like a mule and he bit like a crocodile.
I heard him laugh and then I heard him cuss,
He went for his gun and I pulled mine first,
He stood there lookin’ at me and I saw him smile.

And he said: “Son, this world is rough
And if a man’s gonna make it, he’s gotta be tough
And I knew I wouldn’t be there to help ya along.
So I give ya that name and I said goodbye
I knew you’d have to get tough or die
And it’s the name that helped to make you strong.”

He said: “Now you just fought one hell of a fight
And I know you hate me, and you got the right
To kill me now, and I wouldn’t blame you if you do.
But ya ought to thank me, before I die,
For the gravel in ya guts and the spit in ya eye
Cause I’m the son-of-a-bitch that named you “Sue.’”

I got all choked up and I threw down my gun
And I called him my pa, and he called me his son,
And I came away with a different point of view.
And I think about him, now and then,
Every time I try and every time I win,
And if I ever have a son, I think I’m gonna name him
Bill or George! Anything but Sue! I still hate that name!

Now I have shared with you some of my favorite Johnny Cash songs. What are some of your please?

Musically Yours,

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Filed under: A Boy Named Sue, Capitol Records, Country Pop, Grammy Gold, Johnny Cash, Magnificent Male Vocalists, Shel Silverstein, Sixties

Time Out For SRATM

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Smokey Robinson & The Miracles  – Wichita Lineman (1968)

Glen Campell, the “Rhinestone Cowboy,” was one of the greatest Country-Pop Stars of the Sixties and Seventies. He even had his own TV show –  which I was a big fan of.  Every Boomer reading this post remembers his million selling version of the Jimmy Webb penned classic along with the hit follow-up “Galveston” and the hit predecessor “Gentle on My Mind.” Oh and my favorite Campell tune was “By The Time I Get To Phoenix.”: then  when Isaac Hayes covered the song it took on a whole other level of greatness for me.

Obviously Smokey Robinson and The Miracles knew a great song when they heard it.  “Lineman” is one of  some other covers that were on their 1969, #25 (Billboard Top 100) album “Time Out For Smokey Robinson and The Miracles.”A great song stands the test of time,  as both songwriters  Smokey Robinson and Jimmy Webb can attest too.

I think SRATM did a fine job on the cover.  Now here is Glenn’s original.

Glen Campbell Witchita Lineman

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Glenn Campbell – Wichita Lineman (1968), on Capitol Records, sold over two million copies, staying at number one pop for five weeks.

“Wichita Lineman” – Composed by Jimmy Webb.

I am a lineman for the county and I drive the main road
Searchin’ in the sun for another overload
I hear you singin’ in the wire, I can hear you through the whine
And the Wichita Lineman is still on the line

I know I need a small vacation but it don’t look like rain
And if it snows that stretch down south won’t ever stand the strain
And I need you more than want you, and I want you for all time
And the Wichita Lineman is still on the line

And I need you more than want you, and I want you for all time
And the Wichita Lineman is still on the line

”Time Out for Smokey Robinson And The Miracles” is still available as a 2-for import combined with the 1970 follow-up LP “Four In Blue” #3 R&B & #78 Billboard Top 200.

And I almost forgot to announce — November’s Motown Theme is obviously  “Motown Covers Pop!”  It wasn’t something they did often, but it did happen on once in a while. Sometimes they even hit it big,  as you will find out later on this month!

Now I am curious to know which rendition of “Wichita Lineman” floats your boat? ;-)   Please vote below.

Musically yours,

sondanyr2

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Filed under: Capitol Records, Country Pop, Glenn Campbell, Jimmy Webb, Motown Covers Pop, Motown/Tamla, R&B/Motown, Sixties, Smokey Robinson & The Miracles, Wichita Lineman

the-beatles-white-album

[audio http://www.hotlinkfiles.com/files/2301316_2mhbt/TheBeatles-Don_tPassMeBy.mp3] The Beatles – Don’t Pass Me By – 1968

Released November 22, 1968,  The Beatles White Album contained this first song composed by Richard Starkey.  Ringo had co-written a few songs before, but this was his baby and he sings it solo in his own charming yet quirky style.  It’s obvious that Ringo loved Country-Western — isn’t it?

Rumor has it that Ringo was working on this song as early as 1963.  Good job Ringo!

Check out Ringo Starr & His All-Starr Band Tour 2003 performing “Don’t Pass Me By.” OMG there’s Shelia E on Drums, Colin Hay and more! Truly an All-star band Mr. Starr!  Wonder if this was the seed that germinated into the idea for Shelia E to join up with CMT’s “Gone Country 3″?

“Don’t Pass Me By” Composed by Richard Starkey

I listen for your footsteps
coming up the drive.
Listen for your footsteps
but they don’t arrive.
Waiting for your knock, dear
on my old front door.
I don’t hear it,
does it mean you don’t love me anymore?

I hear the clock a’ticking,
on the mantel shelf.
See the hands a’moving,
but I’m by myself.
I wonder where you are tonight,
and why I’m by myself.
I don’t see you,
does it mean you don’t love me anymore?

Don’t pass me by, don’t make me cry, don’t make me blue.
‘Cause you know darling, I love only you.
You’ll never know it hurt me so,
I hate to see you go.
Don’t pass me by, don’t make me cry.

I’m sorry that I doubted you,
I was so unfair.
You were in a car crash,
and you lost your hair.
You said that you would be late
about an hour or two.
I said, “That’s alright, I’m waiting here,
just waiting to hear from you”.

Don’t pass me by, don’t make me cry, don’t make me blue.
‘Cause you know darling, I love only you.
You’ll never know it hurt me so,
I hate to see you go.
Don’t pass me by, don’t make me cry.

Don’t pass me by, don’t make me cry, don’t make me blue.
‘Cause you know darling, I love only you.
You’ll never know it hurt me so,
I hate to see you go.
Don’t pass me by, don’t make me cry.

1968 Startling Music Ltd.

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Filed under: Bands, Beatlemania and More, British Invasion, Capitol Records, Country Pop, Don't Pass Me By, Pop/Rock, Richard Starkey, Ringo, Sixties, The Beatles

250-px-bobby-helms

[audio http://boxstr.com/files/4355821_uwbxf/14.%20Bobby%20Helms%20-%20Jingle%20Bell%20Rock.mp3|bg=0x008000|righticon=0xff0000|lefticon=0xff0000]

Take a look at this Billboard Chart History of “Jingle Bell Rock.”  It has been in the Top 100 in assorted categories in four different decades and two different centuries!  Guess that’s all I need to say about the longevity of this classic .. eh?

1957 #13 Country Singles
1958 #6 Pop Singles
1960 #36 Pop Singles
1961 #41 Pop Singles
1962 #56 Pop Singles
1996 #18 Adult Contemporary Single
1997 #60 Hot Country Singles & Tracks
2005 #37 Hot Digital Songs
2006 #9 Hot Ringtones
2004 #64 Hot Canadian Digital Singles

Whew! So this is why you hear this song every December and always will.

This is the original version of the often covered holiday song penned by Joe Beal and Jim Boothe.  Even though Helms had a successful career as a country singer before he released “JBR”‘ — this is probably the song that assured his place in The Rockabilly Hall of Fame.  There is a great career biography for your reading pleasure  at the RAB Hall of Fame Web Site, here, so I won’t rehash the details.

But I will give you the lyrics of this classic just in case you feel the urge to sing along (and I know you will get that feeling lol!)

pinehollyd2

Jingle Bell Rock Composed by Joe Beal and Jim Boothe

Jingle bell, jingle bell, jingle bell rock
Jingle bells swing and jingle bells ring
Snowing and blowing up bushels of fun
Now the jingle hop has begun.

Jingle bell, jingle bell, jingle bell rock
Jingle bells chime in jingle bell time
Dancing and prancing in Jingle Bell Square
In the frosty air.

What a bright time, it’s the right time
To rock the night away
Jingle bell time is a swell time
To go gliding in a one-horse sleigh.

Giddy-up jingle horse, pick up your feet
Jingle around the clock
Mix and a-mingle in the jingling feet
That’s the jingle bell,
That’s the jingle bell,
That’s the jingle bell rock.

Keep ringing and rocking to keep these oldies alive!

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Filed under: Bobby Helms, Country Pop, Decca, Fifties, Holiday Music, Jingle Bell Rock, Magnificent Male Vocalists

gene-autry-the-original-rrnr

[audio http://boxstr.com/files/4204570_3rdmv/11.%20Rudolph%2C%20The%20Red-Nosed%20Reindeer.mp3|bg=0x008000|righticon=0xff0000|lefticon=0xff0000] Gene Autry – Rudolph the Red-Nosed Reindeer (Released in 1949. Charted 1957 #70 Pop Singles; 1998 #55 Hot Country Singles & Tracks; & 1999 #24 Adult Contemporary.)

This is truly one of my first records and I still have the original scratched up, beaten up 45 rpm heavy duty vinyl version of this song from my youth. I suppose all children of the fifties and sixties had a copy of this record.

The song also appeared on the 1957 LP of the same name (pictured above).

This classic has been covered by just about EVERYBODY! and will continue to be for all eternity.  My favorite cover of all is by those fabulous harmonizing classic Temptations!

The song started out as a poem for an holiday advertising campaign for Montgomery Wards (RIP) and the rest, as they say, is history! If you are not aware of the history of the creation of this song please do read the concise and inclusive version provided at Snopes Urban Legends Teference Pages.

You may also learn about Gene Autry at his Official Web SIte — GeneAutry.com.

Here is a refresher on the lyrics for your caroling this year (LOL)

Orvon Gene Autry (September 29, 1907 – October 2, 1998) The Singing Cowboy

Orvon Gene Autry (1907–1998) The Singing Cowboy

Rudolph the Red Nosed Reindeer Composed by Johnny Marks

Rudolph, the red-nosed reindeer
had a very shiny nose.
And if you ever saw him,
you would even say it glows.

All of the other reindeer
used to laugh and call him names.
They never let poor Rudolph
join in any reindeer games.

Then one foggy Christmas Eve
Santa came to say:
“Rudolph with your nose so bright,
won’t you guide my sleigh tonight?”

Then all the reindeer loved him
as they shouted out with glee,
Rudolph the red-nosed reindeer,
you’ll go down in history!

sondanyr2

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Filed under: Country Pop, Fifties, Gene Autry, Holiday Music, Johnny Marks, Magnificent Male Vocalists, Rudolph the Red-Nosed Reindeer, Varese Sarabande

[audio http://boxstr.com/files/3225252_6wszw/Ray%20Charles%20-%20%20Crying%20Time.mp3] Ray Charles – Crying Time  [1968]

“Crying Time,” was not the only winner of an R&B Grammy award in 1968. The Academy finally got a little more sense and added two more R&B categories — since the one they had was hardly fair with the bevy of talented R&B Vocalists of both genders, groups and instrumentalists.

Frankly, three was still not enough categories but it was better than just one.  In addition to winning the Best Rhythm and Blues Recording 1968,  Ray Charles’ recording of “Crying Time” also won the Grammy in the newly created category Best Rhythm and Blues Solo Vocal Performance, Male or Female 1968.

This great song is another of the many Country songs that Ray favored during his career and he “Rayized” (yes I made up a new word – LOL) it with a touch of blues, a touch of soul, a touch of gospel, a touch of pop and a touch of Ray!

Composed by the late great Buck Owens, it was recorded by Buck Owens and the Buckaroos and placed on the B-side of their #1 Billboard Country hit “I Got a Tiger By The Tail.” “Tiger” also crossed over to #25 Pop and I happened to ? that song very much as did my maternal grandmother may she R.I.P.

Ray’s cover version of “Crying Time” charted on three US Billboard Charts; #6 Pop, #5 R&B and #1 Adult Contemporary!  It also charted #50 in the UK.

Please enjoy this live performance of “Crying Time” by Brother Ray and Barbara Streisand in 1973! It is truly awesome.

You may read more about Ray Charles at Answers.com

Stay tuned for the next post to find out who won the third R&B Grammy in 1968.

Thanks for checking in.

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Filed under: ABC/Paramount, Buck Owens, Country Pop, Crying Time, Grammy Gold, Magnificent Male Vocalists, Pop/R&B, Ray Charles, Sixties

[audio http://boxstr.com/files/3071065_awdik/Ray%20Charles%20-%20Busted.mp3] Ray Charles – Busted (1963)

Composed by the award winning songwriter Harlan Howard, Ray Charles’ performance of “Busted” won him his fourth Grammy in a row – Best Rhythm and Blues Recording 1963.

If I say this is one of my favorites songs you are probably thinking I am being redundant — but it truly is. In fact most of Brother Ray’s songs are favorites of mine.  And while researching this blog I have come to find more of Ray’s catalog that had eluded me over the years and I am loving those newly discovered “oldies but goodies” too!

The previous year Charles won a Grammy for a song from his “Modern Sounds in Country and Western Music” album and this song had been recorded by Country artist Johnny Cash in 1962.

The more I delve into the Genius of Ray Charles — I think his “Genius” is that he defies categorization!  He started out winning in the newly created R&B category of the Grammy Academy, but he charted both Billboard “Pop” and “Black” (the term that I despise and will go back to calling it R&B for my sanity),  and yet he had recorded a majority of classic “country” songs to this point.  His performances were tinged with “jazz” and “blues”, and yet oftentimes his orchestration was bordering on “classical”. Wow — what a conglomeration!

Yes I am sure that the “Genius” of Ray Charles is that he was not one musical genre, but a melding of all musical genres! You may read more about Ray Charles at Answers.com

“Busted” reached #4 Pop and #3 R&B on the US Billboard charts and #21 in the UK.

Watch the Genius at work, performing this classic during a 1982 European concert.

I appreciate your visit.

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Filed under: ABC/Paramount, Busted, Country Pop, Grammy Gold, Harlan Howard, Magnificent Male Vocalists, Pop/R&B, Ray Charles, Sixties

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